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Paul Gerlach

Artist Lecturer in Music Education, Director of Kiltie Band

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In addition to leading Carnegie Mellon's legendary Kiltie Band, the university's marching and concert ensemble for non-majors, Paul Gerlach brings a unique and varied background to his position as artist-lecturer in music education. A graduate of Carnegie Mellon, he holds a bachelor of fine arts degrees in applied music (trumpet) and music education, a master of fine arts degree in applied music (trumpet) and another master of fine arts in musicology (thesis topic: The Influence of Politics in Russian-Soviet Music.) He studied trumpet with Anthony L. Pasquarelli, conducting with Richard Strange and musicology with Frederick Dorian. 

As an instructor at Carnegie Mellon, Gerlach has taught methods courses in brass, woodwind, percussion and marching band techniques. Concurrently, he worked 32 years in the public schools teaching instrumental music at the elementary, junior and senior high levels, and general music grades K-8. Gerlach devotes considerable time to conducting. Conducting experiences include guest, rehearsal and substitute assignment with the Pennsylvania Music Educators' Honors Band, Carnegie Mellon Wind Ensemble, Carnegie Mellon Pre-college Wind Ensemble and Trumpet Ensembles, Carnegie Mellon Youth Brass Band, River City Youth Brass Band, and the Lock Haven University Symphonic Band. He is currently music director of the Allegheny Brass Band.

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Nancy Goeres

Artist Lecturer in Bassoon

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Nancy Goeres, Principal Bassoonist of the Pittsburgh Symphony Orchestra, joined the Symphony's bassoon section in the 1984-85 season.

An avid chamber musician, she has performed at the Tanglewood, Marlboro, Sarasota, LaJolla and Mainly Mozart festivals; and most recently at New York's 92nd Street Y Series, Santa Fe Chamber Festival, Music in the Vineyards (Napa, Ca.), and Instrumenta Verano, Puebla, Mexico. She has also toured with Musicians from Marlboro.

With Lorin Maazel and the Pittsburgh Symphony Orchestra, she premiered the Ellen Taaffe Zwilich Bassoon Concerto, commissioned for her by the Pittsburgh Symphony Society. Ms. Goeres subsequently performed the Zwilich Concerto at the Aspen Music Festival and School and at the 1996 conference of the International Double Reed Society, and recorded it with the PSO and Maazel for the New World label. In May 2004, after working with musicians in Cuba, she performed the Concerto with the Havana Symphony. Other solo performances with the PSO include performances of Haydn's Sinfonia concertante, John Williams's bassoon concerto The Five Sacred Trees, and the Mozart Bassoon Concerto.

An active teacher, Ms. Goeres has given master classes in Europe, Canada, Mexico, Asia and South America, as well as in the U.S., most recently for the New World Symphony in Miami Beach, the Juilliard School, and the Curtis Institute of Music. In October 2004, she gave her first master class over the Internet for the bassoon section of the New World Symphony. Also that month she performed in recital with clarinetist Michael Rusinek in Amsterdam, Netherlands.

A native of Lodi, Wisconsin, her principal teachers were Sherman Walt and Richard Lottridge. Nancy Goeres holds the PSO's Mr. & Mrs. William Genge and Mr. & Mrs. James E. Lee Principal Bassoon Chair. She is a faculty member of Carnegie Mellon University's School of Music and performs and teaches regularly at the Aspen Music Festival.

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David Harding

Professor of Viola and Chamber Music

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David Harding has an extensive solo and chamber music career, having performed throughout Europe, the United States, Canada, Central America and Australia, in such renowned venues as Berlin’s Philharmonie, the Beethovenhaus in Bonn, Amsterdam’s Concertgebouw, and New York’s 92nd Street Y and Metropolitan Museum of Art. Noted for his “eloquent viola playing” (The Scotsman), David has performed at music festivals around the world, including the Edinburgh International Festival, Ottawa International Chamber Music Festival, Seattle Chamber Music Society, Sitka Chamber Music Festival, Australian Festival of Chamber Music, and Philip Glass’ “Days and Nights Festival” in Big Sur, California. David’s career has involved collaborations with leading instrumentalists and ensembles such as the Pacifica, Shanghai, Cypress, Dover, Fine Arts and Miro Quartets as well as the Gryphon Trio. David was formerly a member of the Toronto String Quartet and the Chester String Quartet  (“one of the country’s best and brightest young string quartets,” — Boston Globe) as well as the Canadian string trio “Triskelion.” With his wife, flutist Lorna McGhee and harpist, Heidi Krutzen, David is a member of Trio Verlaine.

David’s live performances have been broadcast on CBC Radio (Canada), BBC Radio 3 (UK), NPR’s ‘Performance Today’ (USA), ABC (Australia) and Deutschland Radio. David has recorded two CDs with Trio Verlaine; “ Fin de Siècle, the music of Debussy and Ravel”  (noted by the Vancouver Sun for “ravishing playing”) and “Six Departures” featuring works by Bax and Jolivet alongside new commissions by R. Murray Schafer and Jeffery Cotton. Upon release, “Six Departures” was chosen to be CBC Radio’s ‘Classical CD of the Week.’ Other notable recording projects include Philip Glass’ String Sextet and Schoenberg’s “Verklärte Nacht” on Orange Mountain Records, Bach’s “Goldberg Variations” with the string trio Triskelion for CBC records, the music of Aaron Jay Kernis with the Chester Quartet, and Brahms’ Viola Sonatas with pianist Phillip Bush for Skylark Music.

In addition to performing the core chamber music literature, David enjoys working closely with composers on new commissions and has helped to expand the repertoire for viola with four solo commissions, and five chamber music commissions to date. In collaboration with Philip Glass, he has worked on interdisciplinary projects with poets Jerry Quickley, Mike Garry, and kora player, Foday Musa Suso. David has worked alongside rock musicians in studio sessions, and arranged the string tracks for the Juno-winning, Grammy-nominated album “Mad Mad World” by Tom Cochrane. Prior to joining the Chester Quartet and embarking on a chamber music career, David was Assistant Principal Viola of the Canadian Opera Company, and performed and recorded with renowned early music ensemble, Tafelmusik.

The depth of David’s musical experience and knowledge make him perfectly placed to help the next generation of musicians. As a devoted and sought-after teacher, David is currently Professor of Viola and Chamber Music at Carnegie Mellon University, Pittsburgh. He has given masterclasses throughout North America, at institutions such as the University of Michigan, Oberlin Conservatory, Glenn Gould School at the Royal Conservatory of Music, Toronto, Banff Centre for the Arts and Creativity.  David was formerly Associate Professor of Viola at the University of British Columbia, and with the Chester String Quartet,  “Ensemble in Residence” at Indiana University South Bend.  A graduate of the Juilliard School of Music and winner of the Sir John Barbirolli Award at the Lionel Tertis International Viola Competition, David’s primary teachers were Tibor Vaghy, Paul Doktor and Emmanuel Vardi. He performs on violas made by Nicolas Gilles, Montpellier, France and Pietro Antonio Della Costa, Treviso, Italy.

http://davidhardingviola.com/

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Micah Howard

Artist Lecturer in Double Bass

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Micah Howard enjoys a very rewarding career as both a performer and a teacher. He joined the world renowned Pittsburgh Symphony Orchestra in 1996 at the age of 25. As a member of the Pittsburgh Symphony, he has toured five continents, including Europe, Asia, Australia, South America and North America. Howard regularly performs as a recitalist, and chamber musician. He has also been featured as a soloist with the Pittsburgh Symphony Orchestra.

Howard has always been active as a music educator. In addition to private teaching, he regularly serves as lecturer for various universities, coaches youth ensembles, such as the Pittsburgh Youth Symphony Orchestra and the Youngstown Youth Symphony Orchestra, and in collaboration with the Pittsburgh Symphony's outreach program, visits local grade schools and high schools to coach ensembles and promote music education. Since the spring of 2000, he has been teaching string bass as adjunct faculty at the Dana School of Music, Youngstown State University, and is also an adjunct professor at Duquesne University. At Carnegie Mellon, Howard serves as Artist Lecturer in Double Bass. 

As a member of the Pittsburgh Symphony, Howard has served on several committees. Most notably, he was a member of the core audition committee for five years, serving as chair for two of those years. While on this committee, he played a role in hiring more than twenty full-time and substitute members of the orchestra. He was also involved in creating a new process, which was instituted in 2005, for hiring new musicians. Currently he is a member of the Orchestra and Artistic Committees. 

Howard received his Bachelor of Music degree from Youngstown State University, and his Masters of Music degree from Duquesne University School of Music. His teachers include Tony Leonardi, Rodney Van Sickle, Edward Pales, Peter Paul Adamiac, and Jeffrey Turner. While still a student, Howard performed as a member of many regional orchestras, such as the Youngstown Symphony Orchestra, the Wheeling Symphony Orchestra, and the Erie Philharmonic. He also played as a substitute with the Columbus Symphony Orchestra, the Pittsburgh Ballet and Opera Orchestras, and the Pittsburgh New Music Ensemble. In 1995 he took first place in the International Society of Bassists Orchestral Competition.

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Roseanna Irwin

Associate Teaching Professor of Coaching and Accompanying

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Roseanna Irwin holds both a bachelor's degree in music education and a master of music degree from Duquesne University, where she taught piano and was administrative assistant to the dean. In addition to teaching voice in her studio, she teaches at the Civic Light Opera Academy of Musical Theater. Irwin has served as head of the voice department at the Pittsburgh High School for the Creative and Performing Arts, the music director of the Pittsburgh Civic Light Opera Mini-Stars, and rehearsal and show pianist for the Civic Light Opera's main stage summer season. She was also a core member of the Mendelssohn Choir of Pittsburgh and has sung roles in several Tuesday Musical Club operas. She has held posts as music director and accompanist for book shows and musical revues in Pittsburgh, Naples, Fla., and on the Royal Viking Cruise Lines. Roseanna is a member of the Tuesday Musical Club, Mu Phi Epsilon Service Sorority, is Secretary-Treasurer of Pi Kappa Lambda Theta Xi Chapter, and Vice-President of the Tri-State Chapter of the National Association of Teachers of Singing. She was formerly Chair of the School of Music’s Voice Department, and has served as a member of the Curriculum Committee, the Faculty Senate, the University Student Affairs Council, and the CFA College Council.

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Dr. John Paul Ito

Associate Professor of Music Theory

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John Paul Ito received an SB in music from MIT, an MM in viola performance from Boston University, and a PhD in music theory from Columbia University.



His main area of research is meter and hypermeter and their connections with cognition, performance, and the history of musical style.  Other interests include cognitive linguistics, human movement science, methodology and epistemology, and Christian theology.  He has presented papers at venues including the International Conference on Music Perception and Cognition, the Performance Studies Network International Conference, the Society for Music Theory, Northwestern University, and the University of Michigan.  Some of his recent and forthcoming publications can be found in Bonner Beethoven-Studien, College Music Symposium, The Journal of Musicology, The Journal of Music Theory, and Music Perception.  More details can be found on his personal website

Before coming to Carnegie Mellon he taught for several years in the conservatory at Lawrence University, where he received the Mrs. H. K. Babcock award for service to the campus community.  

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Anne Jackovic

Artist Lecturer in Solfege

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Professional violinist, orchestral musician, and teacher, Anne Jackovic discovered her unique talent at the age of two. She exudes passion and dedication through exquisite performances. Her first training was received at the Carnegie Mellon Preparatory School while studying violin privately. After receiving her Bachelor of Fine Arts from Carnegie Mellon University in Violin Performance under the instruction of Cyrus Forough, she returned to obtain her Masters degree. Throughout her career, she has placed in many competitions throughout Pittsburgh, Pennsylvania. Keynotes Scholarship Competition, Pittsburgh Concert Society, WQED-FM, and Duquesne City Music Center recognized her talent and dedication through awards and Scholarships. Carnegie Mellon University chose Jackovic as the 2005 "Most Outstanding Senior", presenting her with the Harry G. Archer Award. Additionally, she was featured as a soloist in a royal concert for Prince Philippe and Princess Christine of Chimay, Belgium. Winning her first professional audition, Jackovic became a member of the Westmoreland Symphony Orchestra in September of 2005. Since that time, she has also won section positions with the Pittsburgh Opera Orchestra, Pittsburgh Ballet Theatre, Wheeling Symphony Orchestra, and most recently, Assistant Concertmaster with the Erie Philharmonic

Jackovic teaches violin throughout the Pittsburgh community. While completing her Masters degree at Carnegie Mellon, she substituted as a Solfege instructor for several university level classes. In the summer of 2006, she was appointed to be the Solfege instructor for the Carnegie Mellon Pre-College students. She has recently been appointed Artist Lecturer in Solfege for the School of Music and is currently on the violin faculty for the String Preparatory School.