Professor of Voice, tenor
Douglas Ahlstedt has sung professionally in the world's greatest opera houses and concert halls, from the renowned stages of Europe, South America, the Far East, and Africa, to the Metropolitan Opera, where he has sung 189 performances to date. He is the only American tenor featured in leading roles, including Fenton in Verdi's Falstaff and Pelleas in Dubussy's Pelleas et Melisande on the James Levine 25th Anniversary Collection of notable scenes from Metropolitan Opera broadcasts.
Leading roles of Ahlstedt's career have included Lindoro in Rossini's Lâ Italiana in Algeri, Almaviva in Barbiere di Siviglia, Narciso in Turco in Italia, Idreno in Semiramide, Pilade in Ermione and Ramiro in La Cenerentola; Fenton in Verdi's Falstaff; Pelleas in Debussy's Pelleas et Melisande; Ferrando in Mozart's Cosi Fan Tutte, Don Ottavio in Don Giovanni, Sifare in Mitridate, Belmonte in Die Entfuhrung aus dem Serail, Tamino in The Magic Flute, and Alessandro in Il Re Pastore; Rinuccio in Puccini's Gianni Schicchi; Ernesto in Donizetti's Don Pasquale; Lorenzo in Auber's Fra Diavolo; Junge Graf in Zimmermann's Die Soldaten; Flammand in Strauss's Capriccio; and Eisenstein in Strauss's Die Fledermaus.
Douglas Ahlstedt's singing career began with the American Boys' Choir, with whom he toured the United States and Canada. During that period, he sang the role of Miles in the American premiere of Benjamin Britten's The Turn of the Screw.
Ahlstedt earned a bachelor of science in music education from the State University of New York at Fredonia, and completed his master's degree at the Eastman School of Music in Rochester, New York.
In addition to his notoriety as a worldwide performer, Ahlstedt is known to be a formidable educator both in his studio and throughout the nation. Active in the promotion of arts, cultural, and education partnerships, Douglas Ahlstedt is well known as a national advocate for the advancement of the Arts in Education and as an authority on vocal health.