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Mon oct 26
2015
7:30 pm

Carnegie Mellon Chamber Series: Schubertiade

where:
Kresge Theatre, College of Fine Arts
5000 Forbes Avenue Pittsburgh, Pennsylvania 15213

The October 26 performance is currently sold outIf you are interested in attending, there will be an in-person wait list line forming on a first come, first serve basis on the evening of the performance. At 7:25 pm the remaining empty seats will be filled with people from that list. Tickets are required for entry and unfortunately we cannot guarantee that everyone will be seated.

Tickets to the November 23 Chamber Series Concert, Brilliant Duos, will be available starting at 9 am on Tuesday, October 27. Please consider subscribing to our email list to receive regular updates in your inbox.


DETAILS
The Carnegie Mellon Chamber Series is a collection of concerts that brings together members of the Carnegie Mellon University Faculty and Pittsburgh Symphony Orchestra for outstanding music making in a small, intimate space.

The series is free but a ticket is required. 

Eventbrite - CMU Chamber Music Series: Schubertiade

REPERTOIRE
Schubert: Fantasy in F Minor for Four-hands, D. 940
Sergey Schepkin, piano
Sung-Im Kim, piano

Schubert: "Auf dem Strom", D. 943
Jennifer Aylmer, soprano
William Caballero, horn
Mark Carver, piano

Schubert: "Trout" Quintet in A Major, D. 667
Jennifer Orchard, violin
David Harding, viola
David Premo, cello
Micah Howard, double bass
Luz Manriquez, piano

BIOGRAPHIES

Jennifer Aylmer
soprano

American soprano Jennifer Aylmer has developed a sterling reputation for her beautiful voice, compelling stage portrayals and impeccable musicianship. The New York Times has hailed her for her, “awesome accuracy,” while The Chicago Sun-Times has recommended that listeners, “bask in the aural delight of Aylmer’s dazzling shifts from regal command to cool insouciance and fatally attractive seduction”

This season, Ms. Aylmer performs with Lyric Fest! in their La Dolce Vita  program, in a duet recital at The Trust in Lancaster, Pennsylvania with baritone Thomas Meglioranza and pianist Timothy Long, and as soprano soloist with Brevard Symphony in Beethoven’s 9th Symphony. She also appears in concert with the Utah Symphony in Ravel’s L’enfant et les sortilèges, conducted by Thierry Fischer.  At Carnegie Mellon University, she will sing on a new chamber music series in Schubert’s Auf dem Strom  with French hornist William Cabellero and later this season, she joins baritone Daniel Teadt, singing Bernstein’s Arias and Barcarolles, both accompanied by pianist Mark Carver. 

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William Caballero
horn

William Caballero joined the Pittsburgh Symphony Orchestra as Principal Horn in May 1989, coming from the Principal Horn post with the Houston Symphony Orchestra. Previously he had been a member of l'Orchestre Symphonique de Montreal and the Hartford Symphony. 

Caballero also has played and been a member of the Boston Symphony Orchestra, the Boston Pops, the Houston Grand Opera, l'Opera de Montreal, the Opera Company of Boston, and the New England Ragtime Ensemble. Summer Festivals include The Grand Teton Music Festival in Jackson Hole, Wyoming and the Bellingham Music Festival of Bellingham, Washington.

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Mark Carver
piano

Pianist Mark Carver was born in Mobile, Alabama and received his earliest musical training in Pittsburgh, PA from Jerry Veeck and Lorraine Gaal Landefeld. Other teachers include Enrica Cavallo-Gulli, Natalie Phillips, and Ralph Zitterbart. International artists with whom he has studied are Earl Wild, Jorge Bolet, Jeanne-Marie Darré, Ozan Marsh, John Ogdon, and Pierre Sancan. He has studied at the Chautauqua Institute (Chautauqua, NY), Académie Internationale d'Été (Nice, France), Indiana University (Bloomington, IN), and Carnegie Mellon University (Pittsburgh, PA). Mr. Carver holds the degrees of Bachelor of Fine Arts and Master of Music.

He made his début with the Pittsburgh Symphony Orchestra at age 15, and has been a guest artist with the Westmoreland Symphony Orchestra, the Plum Creek Chamber Orchestra, and the University of Pittsburgh Orchestra. His début at age 17 at Carnegie Hall, New York, was with the Carnegie Mellon University Wind Ensemble in the première of Introduction and Allegro by Philip Catelinet.


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David Harding
viola

David Harding has an extensive solo and chamber music career, having performed throughout Europe, the United States, Canada and Central America, in such venues as the Berlin Philharmonie, Concertgebouw, and Weill Hall at Carnegie Hall. His performances have been broadcast on BBC, NPR and Deutschland Radio. David is frequently featured on CBC Radio in Canada. He regularly performs at chamber music festivals throughout North America including amongst others the Seattle Chamber Music Society, Strings in the Mountains, CO, Sitka Chamber Music Festival, AK, Festival of the Sound, ON, and the Cactus Pear Chamber Music Festival, TX.

David is a member of Trio Verlaine and the American String Project, (a collaboration between quartet players, soloists and concertmasters.) David is a seasoned chamber musician, having been a former member of the Chester String Quartet, Toronto String Quartet and Triskelion String Trio. He has collaborated with members of the Cleveland, Tokyo and St. Lawrence quartets, and has made chamber music recordings for Sony, Crystal, Chesky, Innova and New Albion record labels.
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Micah Howard 
double bass

Micah Howard enjoys a very rewarding career as both a performer and a teacher. He joined the world renowned Pittsburgh Symphony Orchestra in 1996 at the age of 25. As a member of the Pittsburgh Symphony, he has toured five continents, including Europe, Asia, Australia, South America and North America. Howard regularly performs as a recitalist, and chamber musician. He has also been featured as a soloist with the Pittsburgh Symphony Orchestra.

Howard has always been active as a music educator. In addition to private teaching, he regularly serves as lecturer for various universities, coaches youth ensembles, such as the Pittsburgh Youth Symphony Orchestra and the Youngstown Youth Symphony Orchestra, and in collaboration with the Pittsburgh Symphony's outreach program, visits local grade schools and high schools to coach ensembles and promote music education. Since the spring of 2000, he has been teaching string bass as adjunct faculty at the Dana School of Music, Youngstown State University, and is also an adjunct professor at Duquesne University. At Carnegie Mellon, Howard serves as Artist Lecturer in Double Bass. 
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Sung-Im Kim 
piano

Sung-Im Kim was born in Seoul, South Korea. She started playing the piano at the age of seven. Two years later she won first prize in a national competition.

By the age of fifteen, she had her debut as a soloist with the Seoul National Philharmonic Orchestra. She went on to win the Eum Ak Chun Chu and Jung-Ang competitions, amongst the most prestigious in Korea.  She also played many solo and chamber concerts in Seoul, including professional debut recital by Cho-Sun Daily Newspaper.

After obtaining her first degree from Kyung-Won University under Dr.Young-Ho Kim, she continued to study at the Royal Academy of Music under Mr. Frank Wibaut and Mr. Christopher Elton, gaining a Diploma in Advanced Studies and Licentiate Piano Teacher. While in England, she gave solo performances at many venues, including the Academy of St Martin-in-the-Fields, Glenilla Arts Foundation, and the Pump Room in Bath. In addition, She won prizes including the Haverhill Sinfonia Soloist competition in England, Ibla International Piano competition in Italy, and the Sterndale Bennett Prize at Royal Academy Of Music.
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Luz Manriquez 
piano

Luz Manriquez was born in Santiago de Chile, where she studied with Elena Weiss at the Escuela Moderna de Musica. Upon graduation, she continued advanced studies under Edith Fisher in Switzerland and Maria Iris Rédrigan at the Catholic University in Chile. Following the completion of her master's degree at Carnegie Mellon University in Pittsburgh, Ms. Manriquez was appointed in 1992 to the faculty as Artist Lecturer in Piano and Chamber Music and since 2004 she is Associate Teaching Professor of Coaching and Accompanying. 

Luz Manriquez has been a regular guest of the Shadyside Concert Series and the Frick Art Museum Series. Ms. Manriquez has performed with Nuance Music Ensemble conducted by former PSO Concert Master Andrés Cárdenes, as well as with the Chamber Music Project Ensemble at the Andy Warhol Museum. Since its creation in 2004 by cellist Aron Zelkowicz, Luz has been a regular guest of the PJMF (Pittsburgh Jewish Music Festival).
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David Premo
cello 

Cellist David Premo joined the Pittsburgh Symphony Orchestra in 1992, was promoted to Fourth Chair, a non-rotating position in 1994, and subsequent to a national audition in 1999, was offered the position of Assistant Principal. Following another round of national auditions, Mr. Premo was awarded the position of Associate Principal in 2001. Additionally, Mr. Premo has been Artist-Lecturer at Carnegie Mellon University since 1994, providing private cello instruction, coaching chamber music groups and teaching an orchestra repertoire class.

Mr. Premo came to Pittsburgh from Washington D.C., where he served as Associate Principal of the Kennedy Center Opera House Orchestra from 1980 until 1991. During his tenure in Washington, Mr. Premo performed chamber music at the Phillips Collection, the Corcorcan Gallery and the Library of Congress, and served on numerous occasions as principal cellist with the American Chamber Orchestra, the National Gallery Orchestra and the Wolf Trap Festival Orchestra, among others. Mr. Premo performed as a member of the National Symphony Orchestra, both at the Kennedy Center and on several United States and European tours.
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Jennifer Orchard 
violin

Canadian violinist, Jennifer Orchard, has traveled the world performing as a chamber musician, soloist, and currently as first violinist of the Pittsburgh Symphony Orchestra since 2001.
Still in high school, Ms. Orchard won a position to study at the Curtis Institute of Music with Szymon Goldberg. She continued her studies, obtaining a master’s degree from the Juilliard School with Robert Mann and participated at the Marlboro Music Festival. 

Upon graduating from the Julliard School, Ms. Orchard was invited to be a member of the world renowned Lark Quartet. As a legacy from this time period with the quartet, Ms. Orchard recorded works of Robert Schumann, Alfred Schnittke, Peter Schickele, Arnold Schoenberg, Alexander Zemlinsky, Amy Beach, Alexander Borodin and the Pulitzer Prize winning quartet by Aaron Jay Kernis – one of several new works for string quartet commissioned by the Lark Quartet. 

In 2002, Orchard started performing in the Pittsburgh Piano Trio. The group maintains busy touring and recording schedule. In recent seasons the Pittsburgh Trio performed at Carnegie Hall in New York, the St Petersburg Conservatory and the Moscow Conservatory Grand Hall where the Trio presented Russian premiere of the Triple Concerto of Paul Juon with the Tchaikovsky State Symphony Orchestra under the direction of Vladimir Fedoseev.
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Sergey Schepkin
piano 

The Russian-American pianist Sergey Schepkin has performed around the globe, from the United States to Russia to Japan to New Zealand. He made his Carnegie Hall recital début in 1993 (at Weill Recital Hall) to an enthusiastic reception from the audience and The New York Times, and has performed on the Great Performers Series at Lincoln Center, Celebrity Series of Boston, LACMA and Maestro Series in Los Angeles, at the Metropolitan Museum of Art, Kennedy Center for the Performing Arts, St. Petersburg Grand and Chamber Philharmonic Halls, the Sibelius Academy in Helsinki, and the Sumida Triphony Hall in Tokyo, among many other venues and series. Mr. Schepkin’s discography includes major works by Bach (the complete Well-Tempered Clavier, the Partitas, Italian Concerto, French Overture, Four Duets, and two recordings of the Goldberg Variations), Brahms (complete late piano works), Mussorgsky, Rachmaninoff, Debussy, and Schnittke. He is a recipient of numerous prizes and awards. His concerts and recordings have garnered critical acclaim from such publications as The New York Times, The Boston Globe, The Boston Herald, The Boston Phoenix, the Boston Musical Intelligencer, Los Angeles Times, The Washington Post, BBC Music Magazine, International Piano, American Record Guide, Gramophone, Fanfare, and MusicWeb International.
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